i knew without asking she was into the blues // molly ledbetter
(Source: henrrydelavega, via third-eyed)
andrew wyeth // hihat’s world
ROCK, PAPER, SCISSORS
A seemingly intellectually superior counterparty, most likely to play PAPER, can be beat by playing scissors. ROCK is the most aggressive throw, the knuckle-dragging type can be beat by playing paper, which symbolizes “the victory of modern culture over barbarism.” A contained, clever user of tools can be beat by playing rock.
time-lapse photographs of fireflies
by tsuneaki hiramatsu
via butdoesitfloat
(Source: onehundredandtenpercent)
time-lapse photographs of fireflies
by tsuneaki hiramatsu
via butdoesitfloat
“Be a crazy dumbsaint of the mind.”
writing advice from
Jean-Louis “Jack” Kerouac
March 12, 1922 – October 21, 1969Beat writer Jack Kerouac only wrote Big Sur, Dharma Bums, and the iconic On the Road(among other books)… oh, and 1/3rd of the amazingly erotic poem Pull My Daisy. He played with language and explored the beauty of madness on the page, encouraging a new kind of literary freedom..his beat gospel On the Road was penned originally on one long scroll. He was profoundly in love with jazz music, and that’s what set him off on a rhythm. That’s the stuff I want to capture.
I love this man. Can we just take a moment to appreciate his expression in this picture? He’s feeling IT, man.
(Source: sovetskaia, via third-eyed)
(Source: rachaelcamp, via third-eyed)
David Bowie in The Man Who Fell To Earth (Nicolas Roeg, 1976).
The Man Who Fell to Earth is a daring exploration of science fiction as an art form. The story of an alien on an elaborate rescue mission provides the launching pad for Nicolas Roeg’s visual tour de force, a formally adventurous examination of alienation in contemporary life. Rock legend David Bowie, in his acting debut, completely embodies the title role, while Candy Clark, Buck Henry, and Rip Torn turn in pitch-perfect supporting performances. The film’s hallucinatory vision was obscured in the American theatrical release, which deleted nearly twenty minutes of crucial scenes and details. The Criterion Collection is proud to present Roeg’s full uncut version, in this exclusive new director-approved high-definition widescreen transfer
